This striking wavy edged bowl with central punt can be a wall decoration as well as placed on a table.
One of the main characteristics of raku firing is a second firing at temperatures between 900 and 1,000 degrees C. After about an hour, the object is extracted from the oven when still hot with a pair of long iron tongs and placed in a container filled with different materials – such as wood shavings, saw dust and shredded paper. When in contact with these materials the ceramic triggers a combustion that causes chemical and physical changes in the fired object, which is then removed from the container and dunked in water. The combustion process eliminates the air particles within the ceramic, which results in a shrinking of the object and a change of color. Unglazed, if all the oxygen has been removed, the ceramic becomes black; otherwise it turns into varying shades of grey, depending on the oxygen left. In order to obtain the right color, therefore, the master potter must take into consideration several factors: the kind of fuel used, combustion times and desired final oxygen levels.
From a Private collection of contemporary ceramics.
Sardinian 1998
Height: 4 inch (10 cm)
Width: 18 inch (46 cm)
Depth: 18 inch (46 cm)
£550
"SOHO" by Piero Lissoni. This limited edition carpet was designed by Piero Lissoni and handmade in Sardinia. It depicts the island of Manhattan with a latitude line highlighting the Soho district in red. The Sardinian weavers of the Zeddinai Company used Sardinian fleece wool and the traditional technique called 'annodato'.
Sardinian, circa 1995
Dimensions: 3m x 2m
POA
Patch Chiaro - by Patricia Urquiola. This carpet was designed by Patricia Urquiola with traditional Sardinian influences in mind.The carpet was handmade in a small workshop in the middle of Sardinia which has been managed by the same lady for more than 60 years. The technique is ‘pibiones’, literally translated as ‘grapes' or ‘hoops’. Only Sardinian wool is used and the final colour fixing, using vinegar, was chosen by Patricia Urquiola.
Sardinian, circa 1995
Dimensions:2m x 3m
£6,500
A unique shallow bowl with pointed punt and uneven edge, the blue grey glaze over black ceramic exemplifying the Raku technique.
One of the main characteristics of raku firing is a second firing at temperatures between 900 and 1,000 degrees C. After about an hour, the object is extracted from the oven when still hot with a pair of long iron tongs and placed in a container filled with different materials – such as wood shavings, saw dust and shredded paper. When in contact with these materials the ceramic triggers a combustion that causes chemical and physical changes in the fired object, which is then removed from the container and dunked in water. The combustion process eliminates the air particles within the ceramic, which results in a shrinking of the object and a change of color. Unglazed, if all the oxygen has been removed, the ceramic becomes black; otherwise it turns into varying shades of grey, depending on the oxygen left. In order to obtain the right color, therefore, the master potter must take into consideration several factors: the kind of fuel used, combustion times and desired final oxygen levels.
From a Private collection of contemporary ceramics.
Sardinian, 1998
Height: 3.5 inch (9 cm)
Width: 18 inch (46 cm)
Depth: 18 inch (46 cm)
£900
The base is hand forged steel, finished and treated individually by hand and shown with Carrara and Nero marble tops. Colours shown: Black and Gold.
These tables are made to order so can be made to size requirements and matching side and coffee tables can also be made.
A variety of marbles, granite, stone or glass tops can be supplied.
Height: 38 inch (96.5 cm)
Width: 48 inch (122 cm)
Depth: 216 inch (42 cm)
£5,500 inc VAT
“Flash”
The base is hand forged steel, finished and treated individually by hand and shown with Nero and Carrara marble tops.
These tables are made to order so can be made to size requirements and matching side and coffee tables can also be made. Suggested finishes: Bronze Patina, Antique Silver Patina or Polished Stainless Steel.
A variety of marbles, granite, stone or glass tops can be supplied.
Height: 38 inch (96.5 cm)
Width: 48 inch (122 cm)
Depth: 216 inch (42 cm)
£5,500 inc VAT
“Curva”
The base is hand forged steel, finished and treated individually by hand and shown with Nero and Carrara marble tops.
These tables are made to order so can be made to size requirements and matching side and coffee tables can also be made.
A variety of marbles, granite, stone or glass tops can be supplied.
Height: 38 inch (96.5 cm)
Width: 48 inch (122 cm)
Depth: 216 inch (42 cm)
£5,500 inc VAT
Using the lost wax technique and hand patinated Dada has captured the very essence of the classical horse. With striking energy and movement, the exacting details illustrating the muscles and veins and fiery mane.
A Classic and contemporary sculptor and designer born, 1964. A brilliant reclusive, Abbott’s work is rarely seen on the market with the majority of his work having been private commission. For many years he has worked mainly in bronze and 24-karat gold. He primarily sculpts his pieces in clay then casts them in bronze and gold. He tends to produce small numbers of editions, usually six or eight at a time. Up until a few years ago, he specialized in large full-size sculptures for private commissions. He produced a large collection of Greek God sculptures including one of a Centaur finished in lost wax bronze, which took over six years to complete. Within the same period, Abbott was approached by the Colonial African Wildlife Preservation Society. They commissioned him to produce a collection of full-size African game animals, including a lion and a cheetah.
Circa 2000
H 42 in. x W 41 in. x D 21 in.H 106.68 cm x W 104.14 cm x D 53.34 cm
Height: 42 inch (107 cm)
Width: 41 inch (105 cm)
Depth: 21 inch (53 cm)
£45,000
A fine and striking model of a horse's head, hand forged and uniquely fashioned in textured bar steel by Charles Elliott for John Bly. Equally suitable for internal or external decoration. Charles was inspired by his wife's love and understanding of horses, and so created the horse’s expression to indicate a state of ‘fight or flight’, showing elements of fear but at the same time speed and courage.
A matching pair of smaller wall lights are also available.
Circa 2016
Height: 30 inch (76.20 cm)
Width: 23 inch (58.42 cm)
Depth: 21 inch (53.34 cm)
£10,200 inc VAT
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